Cineforum n.5

$23.00

Cineforum is the cinema magazine of the Italian Cineforum Federation. A magazine that comes from far away and that represents the purest and most traditional form of film criticism magazine. In fact, it contains presentations, reviews, controversies and discussions on dozens of more or less recent films, analysis of film trends and authorial trends in this sector.
It is a magazine for real cinephiles, founded in 1961. Until 2020 it comes out monthly, until the radical number 0 of 2021, the year from which it becomes a quarterly that changes its graphic and editorial aspect and decides to leave more mainstream circuits to become a niche paper reference for true enthusiasts. 

The Italian Cineforum Federation represents most of the Italian film clubs and in particular collaborates with medium-small and local realities in order to make known the masterpieces of great authors, but also to give visibility and release film projects that otherwise would have little visibility. From the vision of the films, it then organizes cineforums, conferences and debates that create and bring to life the culture of cinema in Italy. 

The Director of the new series of Cineforum magazine is Emanuela Martini, born in Forlì and film critic, until 2019 Director of the Torino Film Festival. 

ISSUE 5
EDITORIAL
Emanuela Martini / It will be a laugh ...
FIRST FLOOR
Roberto Escobar / The infinite and the finite. One hundred years after his birth, the poetics of Pier Paolo Pasolini
Alessandro Uccelli / Notes for a Pasolini filmography
BIG SCREEN
Licorice Pizza by Paul Thomas Anderson
Federico Pedroni The sweet wing of youth. A decalogue on Licorice Pizza 
The fair of illusions - Nightmare Alley by Guillermo del Toro 
Alberto Libera / In the labyrinth of reality. The new version of Gresham's noir  
Farewell Leonora  by Paolo Taviani
Anton Giulio Mancino / Pirandello's obsession, third act
hug me tight by Mathieu Amalric
Chiara Borroni / An unstable matter. The Ghosts of Amalric  
What Do We See When We Look at the Sky? by Alexandre Koberidze
Adriano Piccardi / Boy Meets Girl. The best film of the Berlinale 2021 
AGAINST FIELD 
Roberto Manassero / Where the images come from
Roberto Manassero / About France 
Massimo Causo / The bewildered spectator 
Giulio Sangiorgio / The aesthetic attempt 
STARDUST MEMORIES
Emanuela Martini / Shall We Gather at the River? Ì Between the West and nowhere: The last show
Paola Cristalli / What’s up, Peter? The (sexy) comedies of a mid-century author
Massimo Lastrucci / The man who loved cinema, zigzagging between genres
Roberto Manassero / Wild Roads: Larry McMurtry's southwestern novels
THE YEARS OF THE PHOENIX
Arturo Invernici / Variations on the mustache by Hercule Poirot. The Belgian detective between page and screen  
NOTEBOOK
Beautiful and damned. Gianni Amelio / One from the Heart. A dream in a studio
Revised and politically correct. Gualtiero De Marinis / you, belin, motherfucker! Or Belin, fuck you! There are no more villains than they used to be  
FESTIVAL 72° Berlinale
Alessandro Uccelli / Europe, above all
Davide Oberto / Immerse yourself in the room